Ethics of the algorithm: digital humanities and Holocaust memory
"The Holocaust is one of the most documented-and now digitized-events in human history. Institutions and archives hold hundreds of thousands of hours of audio and video testimony, composed of more than a billion words in dozens of languages, with millions of pieces of descriptive metadata. It w...
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Format: | Electronic Book |
Language: | English |
Published: |
Princeton Oxford
Princeton University Press
[2024]
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In: | Year: 2024 |
Online Access: |
Cover (Publisher) Table of Contents (Aggregator) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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100 | 1 | |a Presner, Todd Samuel |d 1972- |e VerfasserIn |0 (DE-588)136838820 |0 (DE-627)694699381 |0 (DE-576)262459841 |4 aut | |
109 | |a Presner, Todd Samuel 1972- |a Presner, Todd 1972- | ||
245 | 1 | 0 | |a Ethics of the algorithm |b digital humanities and Holocaust memory |c Todd Presner ; with contributions by Anna Bonazzi, Rachel Deblinger, Lizhou Fan, Michelle Lee, Kyle Rosen, and Campbell Yamane |
264 | 1 | |a Princeton |a Oxford |b Princeton University Press |c [2024] | |
300 | |a 1 Online-Ressource (xvii, 436 Seiten) |b Illustrationen | ||
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500 | |a Includes bibliographical references and index | ||
505 | 8 | |a Introduction. Technologies of testimony and distant witnessing -- What should algorithms have to do with ethics? -- Computation that (de)humanizes : from "bare data" to human life -- David Boder and the origins of computational analysis of survivor testimonies -- Through the lens of big data : a macroanalysis of the USC Shoah Foundation's Visual History Archive -- The haunted voice : on the ethics of close and distant listening -- Algorithmic close reading : analyzing vectors of agency in Holocaust testimonies / with Lizhou Fan -- Cultural memory machines and the futures of testimony / with Rachel Deblinger. | |
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520 | |a "The Holocaust is one of the most documented-and now digitized-events in human history. Institutions and archives hold hundreds of thousands of hours of audio and video testimony, composed of more than a billion words in dozens of languages, with millions of pieces of descriptive metadata. It would take several lifetimes to engage with these testimonies one at a time. Computational methods could be used to analyze an entire archive-but what are the ethical implications of "listening" to Holocaust testimonies by means of an algorithm? In this book, Todd Presner explores how the digital humanities can provide both new insights and humanizing perspectives for Holocaust memory and history. Presner suggests that it is possible to develop an "ethics of the algorithm" that mediates between the ethical demands of listening to individual testimonies and the interpretative possibilities of computational methods. He delves into thousands of testimonies and witness accounts, focusing on the analysis of trauma, language, voice, genre, and the archive itself. Tracing the affordances of digital tools that range from early, proto-computational approaches to more recent uses of automatic speech recognition and natural language processing, Presner introduces readers to what may be the ultimate expression of these methods: AI-driven testimonies that use machine learning to process responses to questions, offering a user experience that seems to replicate an actual conversation with a Holocaust survivor. With Ethics of the Algorithm, Presner presents a digital humanities argument for how big data models and computational methods can be used to preserve and perpetuate cultural memory"-- Provided by publisher | ||
520 | |a "How computational methods can expand how we see, read, and listen to Holocaust testimony. The Holocaust is one of the most documented-and now digitized-events in human history. Institutions and archives hold hundreds of thousands of hours of audio and video testimony, composed of more than a billion words in dozens of languages, with millions of pieces of descriptive metadata. It would take several lifetimes to engage with these testimonies one at a time. Computational methods could be used to analyze an entire archive-but what are the ethical implications of "listening" to Holocaust testimonies by means of an algorithm? In this book, Todd Presner explores how the digital humanities can provide both new insights and humanizing perspectives for Holocaust memory and history. Presner suggests that it is possible to develop an "ethics of the algorithm" that mediates between the ethical demands of listening to individual testimonies and the interpretative possibilities of computational methods. He delves into thousands of testimonies and witness accounts, focusing on the analysis of trauma, language, voice, genre, and the archive itself. Tracing the affordances of digital tools that range from early, proto-computational approaches to more recent uses of automatic speech recognition and natural language processing, Presner introduces readers to what may be the ultimate expression of these methods: AI-driven testimonies that use machine learning to process responses to questions, offering a user experience that seems to replicate an actual conversation with a Holocaust survivor.With Ethics of the Algorithm, Presner presents a digital humanities argument for how big data models and computational methods can be used to preserve and perpetuate cultural memory"-- Provided by publisher | ||
546 | |a In English | ||
650 | 0 | |a History |x Data processing | |
650 | 0 | |a Holocaust, Jewish (1939-1945) |x Study and teaching |2 DLC | |
650 | 0 | |a History |x Data processing |0 http://id.loc.gov/authorities/subjects/sh2008121739 |2 DLC | |
650 | 0 | |a Digital Humanities |x Moral and ethical aspects |2 DLC | |
650 | 0 | |a Computer algorithms |x Moral and ethical aspects |2 DLC | |
650 | 4 | |a HISTORY / Modern / 20th Century / Holocaust | |
650 | 4 | |a HISTORY / Holocaust | |
650 | 4 | |a COMPUTERS / Programming / Algorithms | |
650 | 4 | |a datafication | |
650 | 4 | |a Digital Culture | |
650 | 4 | |a Digital Media | |
650 | 4 | |a digital technologies | |
650 | 4 | |a ethical computation | |
650 | 4 | |a Social Science / Media Studies | |
650 | 4 | |a humanistic data science | |
650 | 4 | |a Natural Language Processing | |
650 | 4 | |a survivor | |
650 | 4 | |a Testimony | |
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650 | 4 | |a Witness | |
650 | 4 | |a SOCIAL SCIENCE / Jewish Studies | |
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650 | 4 | |a Narrative | |
650 | 4 | |a SOCIAL SCIENCE / Research | |
650 | 4 | |a cultural analytics | |
650 | 4 | |a Archive | |
650 | 4 | |a algorithmic fabulation | |
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650 | 4 | |a USC Shoah foundation | |
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650 | 4 | |a Big Data | |
650 | 4 | |a Visualization | |
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653 | |a Ethical | ||
653 | |a Ethics | ||
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653 | |a History | ||
653 | |a Holocaust testimony | ||
653 | |a Judgment | ||
653 | |a Kimmelmann | ||
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653 | |a Algorithm | ||
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653 | |a Ethics of the Algorithm: Digital Humanities and Holocaust Memory | ||
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