A leap of faith into the common byways: performing arts as a tool for ‘sensory’, ‘affective’ and ‘performative’ criminology to explore the symbolic and emotional worlds of violent crime
Researchers delving into the socio-criminological field and attentively exploring the most inno- vative methodologies acknowledge that, in conjunction with research methods relying on oral and writ- ten language, a new range of non-textual strategies has emerged as an alternative mode of knowledge a...
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Publicado: |
2023
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| En: |
Criminological encounters
Año: 2023, Volumen: 6, Número: 1, Páginas: 129-145 |
| Acceso en línea: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Journals Online & Print: | Gargar...
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| Verificar disponibilidad: | HBZ Gateway |
| Palabras clave: |
| Sumario: | Researchers delving into the socio-criminological field and attentively exploring the most inno- vative methodologies acknowledge that, in conjunction with research methods relying on oral and writ- ten language, a new range of non-textual strategies has emerged as an alternative mode of knowledge ac- quisition. This essay proposes an exploratory approach to gather the practices of theatre and criminology together in investigating and understanding violent crime and criminals through performing arts with a sensory methodology that takes imaginative and bodily encounters as a crucial part of knowledge pro- duction. The intention is to try to establish a medium where criminologists and theatre artists mutually contribute to a platform to scrutinize crime through their ‘arts’. In this work, we suggest that exploring, experiencing and staging the phenomena of crime with the actor’s body and their art as a channel can inspire and add layers to criminology studies and teaching. |
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| Notas: | Literaturverzeichnis: Seite 142-144 |
| Descripción Física: | Illustrationen |
| ISSN: | 2506-7583 |
| DOI: | 10.26395/CE.2023.1.10 |