|
|
|
|
| LEADER |
00000cam a22000002c 4500 |
| 001 |
1866323946 |
| 003 |
DE-627 |
| 005 |
20250115054912.0 |
| 007 |
cr uuu---uuuuu |
| 008 |
231019s2017 xx |||||o 00| ||eng c |
| 035 |
|
|
|a (DE-627)1866323946
|
| 035 |
|
|
|a (DE-599)KXP1866323946
|
| 040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rda
|
| 041 |
|
|
|a eng
|
| 084 |
|
|
|a 2,1
|2 ssgn
|
| 100 |
1 |
|
|a Chinhanu, Chiedza Adelaide
|e VerfasserIn
|4 aut
|
| 245 |
1 |
0 |
|a Prison a/r/tography: the aesthetic of 'captive' masculinities
|
| 264 |
|
1 |
|c 2017
|
| 336 |
|
|
|a Text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
| 338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
| 520 |
|
|
|a Contemporary artists have been successful in breaking into prisons and persuading the prison institutions, the general public and prison educators to legitimize artistic activity. However, the discourses on prison theatre have been largely dominated by therapeutic and rehabilitative agendas, possibly at the expense of theatre practice - its aesthetic strategies, and aural and visual qualities. This research comes against such a background. The research project was developed in response to the debates and concerns about artistic work in applied prison theatre. It was located at the borders of what can be articulated about aesthetic intervention 'without purpose' in a prison setting; - without purpose in the sense of eschewing big claims of social and psychological efficacy. Through the practice of a/r/tography, which is a means of inquiry through a method of art making, the research examined what is possible about the work. Of particular interest was the potential to explore possibilities for aesthetic intervention understandings and nuances in prison theatre. Be that as it may, although there was a conscious moving away from the applied umbrella as overtly instrumentalist, it can be argued from the findings that there is a possible tension of falling under the umbrella
|
| 856 |
4 |
0 |
|u https://core.ac.uk/download/185432890.pdf
|x Verlag
|z kostenfrei
|3 Volltext
|
| 935 |
|
|
|a mkri
|
| 951 |
|
|
|a BO
|
| ELC |
|
|
|a 1
|
| LOK |
|
|
|0 000 xxxxxcx a22 zn 4500
|
| LOK |
|
|
|0 001 4392969673
|
| LOK |
|
|
|0 003 DE-627
|
| LOK |
|
|
|0 004 1866323946
|
| LOK |
|
|
|0 005 20231019043655
|
| LOK |
|
|
|0 008 231019||||||||||||||||ger|||||||
|
| LOK |
|
|
|0 035
|a (DE-2619)CORE15142843
|
| LOK |
|
|
|0 040
|a DE-2619
|c DE-627
|d DE-2619
|
| LOK |
|
|
|0 092
|o n
|
| LOK |
|
|
|0 852
|a DE-2619
|
| LOK |
|
|
|0 852 1
|9 00
|
| LOK |
|
|
|0 935
|a core
|
| OAS |
|
|
|a 1
|
| ORI |
|
|
|a SA-MARC-krimdoka001.raw
|
