Warrior dreams: violence and manhood in post-Vietnam America
Vietnam signaled the end of America's long history of martial victories. In Warrior Dreams, James William Gibson argues that the shame of defeat by a technologically inferior enemy, compounded by challenges to the status quo from feminism and minority groups, created a profound crisis in Americ...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Published: |
New York, N.Y.
Hill and Wang
1994
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| In: | Year: 1994 |
| Availability in Tübingen: | Present in Tübingen. UB: KB 19 A 5431 |
| Check availability: | HBZ Gateway |
| Subito Delivery Service: | Order now. |
| Keywords: |
MARC
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| 505 | 8 | 0 | |a Old warriors, new warriors -- Birth of the warrior -- Black-widow women -- Who is the enemy and what does he want? -- The hero's magic weapons -- Self-transformation in combat and the pleasures of killing -- Paintball as combat sport -- Partying with the soldiers of fortune -- Becoming the armed man : combat pistol shooting at Gunsite Ranch -- Have gun, will travel : hit men, mercenaries, and racist groups join the new war -- Bad men and bad guns : the symbolic politics of gun control -- Paramilitarism as state policy in the Reagan-Bush era. |
| 520 | |a Vietnam signaled the end of America's long history of martial victories. In Warrior Dreams, James William Gibson argues that the shame of defeat by a technologically inferior enemy, compounded by challenges to the status quo from feminism and minority groups, created a profound crisis in American identity - particularly for the white American male - and gave birth to a disturbing and reactionary new war culture designed to make America well again. Armed with a journalist's curiosity and a critic's precision, Gibson sets out to map this new American war zone. He plays paintball with Los Angeles's weekend warriors, learns to shoot like a pro at Arizona's elite Gunsite Ranch, and parties with soldiers of fortune at their annual convention in Las Vegas. Gibson surveys the combat magazines and weapons advertisements, films and novels that fuel the sexual, violent fantasies of millions of would-be warriors across the country. And he shows how this mythology, far from harmless consumer entertainment, has indeed started a new war with real warriors - Aryan Nation, contract killers, mercenaries in Central America - and with dangerous consequences for our democracy | ||
| 520 | |a Vietnam signaled the end of America's long history of martial victories. In Warrior Dreams, James William Gibson argues that the shame of defeat by a technologically inferior enemy, compounded by challenges to the status quo from feminism and minority groups, created a profound crisis in American identity - particularly for the white American male - and gave birth to a disturbing and reactionary new war culture designed to make America well again. Armed with a journalist's curiosity and a critic's precision, Gibson sets out to map this new American war zone. He plays paintball with Los Angeles's weekend warriors, learns to shoot like a pro at Arizona's elite Gunsite Ranch, and parties with soldiers of fortune at their annual convention in Las Vegas. Gibson surveys the combat magazines and weapons advertisements, films and novels that fuel the sexual, violent fantasies of millions of would-be warriors across the country. And he shows how this mythology, far from harmless consumer entertainment, has indeed started a new war with real warriors - Aryan Nation, contract killers, mercenaries in Central America - and with dangerous consequences for our democracy | ||
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