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| 245 |
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|a Law and the visual
|b representations, technologies, and critique
|c Desmond Manderson
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| 264 |
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1 |
|a Toronto
|a Buffalo
|a London
|b University of Toronto press
|c [2018]
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| 264 |
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|c © 2018
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| 300 |
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|a vi, 369 Seiten
|b Illustrationen
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|a Text
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|a Literaturangaben und Index
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| 505 |
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|t Introduction : imaginal law
|r Desmond Manderson
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| 505 |
8 |
0 |
|t Blindness visible : law, time, and Bruegel's justice
|r Desmond Manderson
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| 505 |
8 |
0 |
|t Faces and frames of government
|r Peter Goodrich
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| 505 |
8 |
0 |
|t An emblematic representation of law : Hogarth and the Engravers' Act
|r Cristina S. Martinez
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| 505 |
8 |
0 |
|t Law and the revolutionary motif after Jacques-Louis David
|r Morgan Thomas
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| 505 |
8 |
0 |
|t Legal imagery on the edge of symbolism : the decoration projects for the Belgian Cour de Cassation
|r Stefan Huygebaert
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| 505 |
8 |
0 |
|t The visual force of justice in the making of Liberia
|r Shane Chalmers
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| 505 |
8 |
0 |
|t "You will see my family became so American" : race, citizenship, and the visual archive
|r Sherally Munshi
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| 505 |
8 |
0 |
|t From sentimentality to sadism : visual genres of asylum seeking
|r Honni van Rijswijk
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| 505 |
8 |
0 |
|t Images of victims : the ECCC and the Cambodian Genocide Museum
|r Maria Elander
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| 505 |
8 |
0 |
|t The exceptional image : torture photographs from Guantánamo Bay and Abu Ghraib as Foucault's spectacle of punishment
|r Connal Parsley
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| 505 |
8 |
0 |
|t T-shirt's Guevara : the visual jurisprudence of the new man
|r Luis Gómez Romero
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| 505 |
8 |
0 |
|t The art of bureaucracy : redacted ready-mades
|r Katherine Biber
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| 505 |
8 |
0 |
|t Illicit interventions in public non-spaces : unlicensed images
|r Alison Young
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| 505 |
8 |
0 |
|t What authorizes the image? : the visual economy of post-secular jurisprudence
|r Richard K. Sherwin.
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| 520 |
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|a "In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come."--
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| 520 |
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|a "In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come."--
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