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|a Postcolonial violence, culture and identity in Francophone Africa and the Antilles
|c Lorna Milne (ed.)
|
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|a Oxford
|a Bern
|a Berlin
|a Frankfurt am Main
|a Wien [u.a.]
|b Lang
|c 2007
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|a 233 S.
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|a Text
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|a ohne Hilfsmittel zu benutzen
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|a Cultural identity studies
|v 7
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|a "Ceci n'est past un conte, mais une histoire de chair et de sang" : representing the colonial massacre in Francophone literature and culture / Charles Forsdick -- Sony Labou Tansi's "violence engageante" / Roger Ravet -- Lying to tell the truth : fiction and the Rwandan genocide in Véronique Tadjo's L'ombre d'Imana / Aedín Ní Loingsigh -- Un dimanche à la piscine à Kigali : writing the Rwandan genocide / Jeanette den Toonder -- Maghrebi women's writing : violence, silence and speaking out / Anne Marie Miraglia -- The violence of photography? : "Le besoin d'histoire" in Lei͏̈la Sebbar's "La photo d'identité" / Andy Stafford -- Carnal knowledge : trauma, memory and the body in Patrick Chamoiseau's Biblique des derniers gestes / Maeve McCusker -- Sex, violence and cultural identity in the work of Gisèle Pineau / Lorna Milne
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650 |
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|a African literature (French)
|x History and criticism
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650 |
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|a West Indian literature (French)
|x History and criticism
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650 |
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|a Abused women in literature
|
650 |
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|a Violence in literature
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