Conveying environmental harms through music: some directions for green-cultural criminology
This chapter contributes to the perspective of green-cultural criminology, which was pioneered by Nigel South and Avi Brisman with an agenda-setting article and a book published ten years ago (Brisman and South, 2013, 2014). Drawing on our previous work in Italy on the criminalised NoTap eco-justice...
| VerfasserInnen: | ; |
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| Medienart: | Druck Aufsatz |
| Sprache: | Englisch |
| Veröffentlicht: |
2025
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| In: |
Criminological connections, directions, horizons
Jahr: 2025, Seiten: 182-197 |
| Online-Zugang: |
Volltext (lizenzpflichtig) |
| Verfügbarkeit prüfen: | HBZ Gateway |
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| 520 | |a This chapter contributes to the perspective of green-cultural criminology, which was pioneered by Nigel South and Avi Brisman with an agenda-setting article and a book published ten years ago (Brisman and South, 2013, 2014). Drawing on our previous work in Italy on the criminalised NoTap eco-justice movement and the environmental disaster of Casale Monferrato, we aimed to show how green-cultural criminology can extend its study of representations of environmental harms to music, as the latter can be an important conveyor of harms and resistance while also being a powerful healing tool. We conclude our tribute to a great scholar, friend and music lover with a coda-conclusion where we reinforce the need to study music within green-cultural criminology, also identifying directions for future research in this area. | ||
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