See me: prison theater workshops and love
See Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison...
| Beteiligte: | ; ; |
|---|---|
| Medienart: | Druck Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
New Village Press
[2024]
|
| In: | Jahr: 2024 |
| Online-Zugang: |
Inhaltsverzeichnis Klappentext |
| Bestand in Tübingen: | In Tübingen vorhanden. UB: KB 21 A 4319 |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Subito Bestelldienst: | Jetzt bestellen. |
| Schlagwörter: |
MARC
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| 245 | 0 | 0 | |a See me |b prison theater workshops and love |c Jan Cohen-Cruz, with Finn K. and Ausettua AmorAmenkum [and 10 others] |
| 264 | 1 | |a New York |b New Village Press |c [2024] | |
| 300 | |a xv, 209 Seiten |b Illustrations |c 23 cm | ||
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| 500 | |a Includes bibliographical references (pages 195-197) and index | ||
| 505 | 8 | |a Beginnings -- Backstories -- The workshop -- Intensification -- Performances -- The year of living way too dangerously -- Coda, afterlives -- Life and love in the LCIW Drama Club / Ausettua Amor Amenkum, Kathy Randels, and Gloria "Mama Glo" Williams -- Opposite sides of the table / Jess Thorpe and George Ferguson -- At a threshold around race / Alexander Anderson and Kevin Bott -- The lives we lived / John Bergman and Saul Hewish -- Unshackling the body, mind, and spirit : reflecvtions on liberation and creative exchange between San Quentin and Auckland prisons / Rand Hazou and Reginold Daniels -- Roundtable / Ausettua Amor Amenkum, Alexander Anderson, John Bergman, Kevin Bott, Jan Cohen-Cruz, Saul Hewish, Kathy Randels, Jess Thorpe, and Gloria "Mama Glo" Williams. | |
| 520 | |a See Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison theater workshop between the author and one of the incarcerated participants. They alternately tell the story of what they found in the workshop, each other, the future they imagined together, and the social turmoil and utopian aspirations of the times. Part II consists of essays jointly written by eight other people impacted by close relationships spawned in diverse in-prison and re-entry theater workshops | ||
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