Victims, Perpetrators and Bystanders: Atrocity and Its Aftermath in the Films of Jasmila Žbanić
The paper excavates ‘implicit criminologies’ concerning victims, perpetrators and bystanders from four films by Bosnian director Jasmila Žbanić: Grbavica (2006); On the path (2010); For those who can tell no tales (2013) and Quo Vadis, Aida? (2020). I argue that in criminological terms, Žbanić’s wor...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Published: |
2024
|
| In: |
The British journal of criminology
Year: 2024, Volume: 64, Issue: 5, Pages: 1114-1130 |
| Online Access: |
Volltext (kostenfrei) |
| Journals Online & Print: | Drawer...
|
| Check availability: | HBZ Gateway |
| Keywords: |
MARC
| LEADER | 00000caa a22000002c 4500 | ||
|---|---|---|---|
| 001 | 1902446941 | ||
| 003 | DE-627 | ||
| 005 | 20241213143500.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 240912s2024 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1093/bjc/azae014 |2 doi | |
| 035 | |a (DE-627)1902446941 | ||
| 035 | |a (DE-599)KXP1902446941 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 2,1 |2 ssgn | ||
| 100 | 1 | |a Aydın Aitchison, Andy |e VerfasserIn |0 (DE-588)1170725597 |0 (DE-627)1039895212 |0 (DE-576)512622876 |4 aut | |
| 245 | 1 | 0 | |a Victims, Perpetrators and Bystanders |b Atrocity and Its Aftermath in the Films of Jasmila Žbanić |c Andy Aydın-Aitchison |
| 264 | 1 | |c 2024 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The paper excavates ‘implicit criminologies’ concerning victims, perpetrators and bystanders from four films by Bosnian director Jasmila Žbanić: Grbavica (2006); On the path (2010); For those who can tell no tales (2013) and Quo Vadis, Aida? (2020). I argue that in criminological terms, Žbanić’s work is strongest, and has greatest transformative potential, as an example of cinematic victimology. This is produced through characters who simultaneously encapsulate particular (ethnicized) and universal elements in micro-level stories of the individual in a larger social, political and historical context. Focussing on this form of universalism, I question an ethical standard of inclusivity in atrocity cinema which calls for a single film or director to directly represent victims of all ethnic groups. | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a ATROCITY | |
| 650 | 4 | |a Victimology | |
| 650 | 4 | |a Bosnia and Herzegovina | |
| 773 | 0 | 8 | |i Enthalten in |t The British journal of criminology |d Oxford : Oxford Univ. Press, 1960 |g 64(2024), 5, Seite 1114-1130 |h Online-Ressource |w (DE-627)271175559 |w (DE-600)1478955-3 |w (DE-576)079718906 |x 1464-3529 |7 nnas |
| 773 | 1 | 8 | |g volume:64 |g year:2024 |g number:5 |g pages:1114-1130 |
| 856 | |u https://academic.oup.com/bjc/advance-article-pdf/doi/10.1093/bjc/azae014/56924183/azae014.pdf |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [open (via crossref license)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.1093/bjc/azae014 |x Resolving-System |z kostenfrei |3 Volltext |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4579155823 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1902446941 | ||
| LOK | |0 005 20240912142406 | ||
| LOK | |0 008 240912||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-21-110 |c DE-627 |d DE-21-110 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-21-110 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a krzo |a tiep | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-krimdoka001.raw | ||