Gang: Culture : Eidos and Process

The terms ‘gang’ and ‘culture’ are used with varying degrees of (im)precision in different fields of academe, media, public, and policy; and this paper will contend that this circumstance provides a fertile ground for the reification of these two concepts. It will suggest that this phenomenon of rei...

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Bibliographic Details
Main Author: Crewe, Don 1959- (Author)
Format: Electronic Article
Language:English
Published: 2016
In: Oñati Socio-Legal Series
Year: 2016, Volume: 6, Issue: 4, Pages: 999-1015
Online Access: Volltext (kostenfrei)
Rights Information:CC BY 4.0
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Keywords:
Bandas
Culture
Gang
alteridad
Cultura
Otherness

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520 |a The terms ‘gang’ and ‘culture’ are used with varying degrees of (im)precision in different fields of academe, media, public, and policy; and this paper will contend that this circumstance provides a fertile ground for the reification of these two concepts. It will suggest that this phenomenon of reification has already taken hold in various parts of the study of gangs more recently, and in cultural criminology in a more established way. This paper will deconstruct the concepts ‘gang’ and ‘culture’ and attempt to reconstruct them in a way that opens up the discourse of ‘gangs’ and ‘culture’ such that better sense may be made of the phenomena that these terms are intended to evoke. 
520 |a Los terminos "banda" y "cultura" se usan con diferentes grados de (im)precisión en distintos ámbitos del mundo académico, medios de comunicación, público y política. En este artículo se defiende que esta circunstancia ofrece un campo fértil para la cosificación de estos dos conceptos. Se sugiere que este fenómeno de cosificación ya ha arraigado de diversa forma en los estudios de bandas recientes, y en la criminología cultural de forma más consolidada. Este artículo deconstruye los conceptos "banda" y "cultura" e intenta reconstruirlos de forma que se abra el discurso sobre "bandas" y "cultura" para tener una sensación mejor del fenómeno que estos términos intentan evocar. 
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