Collective emotions and political violence: narratives of Islamist organisations in Western Europe
How do collective actors move from moderate politics to (violent) extremism? Faced with high risks of repression and implosion, they need to legitimate such radical change to keep members and followers committed to collective action. Drawing on the texts, audios, and videos of five Islamist organisa...
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Format: | Print Book |
Language: | English |
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Manchester
Manchester University Press
2023
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In: | Year: 2023 |
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Table of Contents Blurb |
Availability in Tübingen: | Present in Tübingen. UB: KB 21 A 3466 |
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109 | |a Clément, Maéva |a Clément, Maéva Pauline | ||
245 | 1 | 0 | |a Collective emotions and political violence |b narratives of Islamist organisations in Western Europe |c Maéva Clément |
264 | 1 | |a Manchester |b Manchester University Press |c 2023 | |
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490 | 0 | |a New approaches to conflict analysis | |
500 | |a Literaturverzeichnis: Seite 241-255, Register | ||
505 | 8 | 0 | |t Characterising changes in political activism |
505 | 8 | 0 | |t Contextualising Islamist organisations in Western Europe (2001-13) |
505 | 8 | 0 | |t Reconstructing phases of activism : group moderation, radicalisation and extremism |
505 | 8 | 0 | |t Exploring the performance of collective emotions |
505 | 8 | 0 | |t A theory of emotionalisation in narrative form |
505 | 8 | 0 | |t The romantic narrative of Western Islamist organisations |
505 | 8 | 0 | |t Narrative emotionalisation and extremism |
520 | |a How do collective actors move from moderate politics to (violent) extremism? Faced with high risks of repression and implosion, they need to legitimate such radical change to keep members and followers committed to collective action. Drawing on the texts, audios, and videos of five Islamist organisations in the UK and Germany in the 2000s and 2010s, the book develops a transdisciplinary theoretical framework and innovative methodological approach to explore how radical changes in activism are mediated. Clément argues that political violence has to feel right, as a collective, for an organisation and its followers to move from moderate activism to (violent) extremism. She shows that organisations mediate this change by performing collective emotions in and through narrative. The book offers a provocative and nuanced account which departs from conventional interpretations of radicalisation and reminds us of the power of emotions. | ||
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