Connecting the Holocaust and the Nakba through photograph-based storytelling: willing the impossible
This unprecedented ethnographic study introduces a unique photography-based storytelling method that brings together everyday Palestinians and Israelis to begin connecting rather than comparing their distinct yet organically connected histories of suffering and exile resulting from the Holocaust and...
| Autor principal: | |
|---|---|
| Tipo de documento: | Print Libro |
| Lenguaje: | Inglés |
| Publicado: |
Cham
Palgarave Macmillan
[2023]
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| En: | Año: 2023 |
| Acceso en línea: |
Cover (Publisher) Índice Texto de la solapa |
| Disponibilidad en Tübingen: | Disponible en Tübingen. UB: KB 21 A 4187 |
| Verificar disponibilidad: | HBZ Gateway |
| Servicio de pedido Subito: | Pedir ahora. |
| Palabras clave: |
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| 245 | 1 | 0 | |a Connecting the Holocaust and the Nakba through photograph-based storytelling |b willing the impossible |c Nawal Musleh-Motut |
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| 505 | 8 | |a Part I The Task in Hand & A Challenge Accepted1. Introduction2. An Impossible Yet Necessary Task3. Willing the Impossible Through Storytelling & PhotographyPart II Nostalgia, Continuous Hauntings & Melancholic Resilience4. Nick5. Haifa Staiti6. Amanda QumsiehPart III Re-Education, Co-Memory & Melancholia7. Ran Vered8. Itai Erdal9. Ofira RollPart IV Willing The Impossible In The Contemporary Moment & Beyond10. The Complete Consort Dancing Together Contrapuntally11. Willing the Impossible in the Contemporary Moment12. Reflections on an Intentionally Utopian Ethnographic Project | |
| 520 | |a This unprecedented ethnographic study introduces a unique photography-based storytelling method that brings together everyday Palestinians and Israelis to begin connecting rather than comparing their distinct yet organically connected histories of suffering and exile resulting from the Holocaust and the Nakba. Working with Palestinians and Israelis living in their respective Canadian diasporas who are of the Holocaust and Nakba postmemory generations-those who did not experience these traumas but are nonetheless haunted by them-this study demonstrates that storytelling and photography enable the occasions and conditions of possibility necessary for willing the impossible. That is, by narrating and then exchanging their (post)memories of the Holocaust and/or the Nakba through associated vernacular photographs, project participants were able to connect rather than compare their histories of suffering and exile; take moral, ethical, and political responsibility for one another; and imagine new forms of cohabitation grounded in justice and equitable rights for all | ||
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