Domestic Violence on the Italian Screen: Representation and Resistance
This article looks at how contemporary Italian films address issues of the tragedy and horror of domestic abuse and attempt to create a space for reflection and change. Ferzan Ozpetek's (2008) Un giorno perfetto (A Perfect Day), Andrès Arce Maldonado's (2017) Dentro (Inside), and Ivano De...
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Publicado: |
2023
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| En: |
Violence against women
Año: 2023, Volumen: 29, Número: 8, Páginas: 1499-1519 |
| Acceso en línea: |
Volltext (kostenfrei) |
| Journals Online & Print: | Gargar...
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| Verificar disponibilidad: | HBZ Gateway |
| Palabras clave: |
| Sumario: | This article looks at how contemporary Italian films address issues of the tragedy and horror of domestic abuse and attempt to create a space for reflection and change. Ferzan Ozpetek's (2008) Un giorno perfetto (A Perfect Day), Andrès Arce Maldonado's (2017) Dentro (Inside), and Ivano De Matteo’s (2016) La vita possibile (A Possible Life) ultimately challenge the perception of domestic violence as a fixed and unchangeable condition for women. The films explore how female solidarity, empathy, and care can serve as pathways to combatting the isolation, guilt, and associated emotions that prevent women from seeking or finding la vita possibile. |
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| ISSN: | 1552-8448 |
| DOI: | 10.1177/10778012231162036 |