Traumatized War Criminal? Documenting the Case of Esad Landžo
Perpetrators’ voices have been traditionally ignored in the transitional justice field and beyond. Esad Landžo was only 19 when he committed the crimes of willful killing, torturing, and causing serious injury to the detainees of notorious Čelebići camp in Bosnia and Herzegovina. In 2001, Landžo was...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Published: |
2022
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| In: |
International criminal justice review
Year: 2022, Volume: 32, Issue: 4, Pages: 357-373 |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) |
| Journals Online & Print: | Drawer...
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| Check availability: | HBZ Gateway |
| Keywords: |
MARC
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| 520 | |a Perpetrators’ voices have been traditionally ignored in the transitional justice field and beyond. Esad Landžo was only 19 when he committed the crimes of willful killing, torturing, and causing serious injury to the detainees of notorious Čelebići camp in Bosnia and Herzegovina. In 2001, Landžo was sentenced to 15 years’ imprisonment by the International Criminal Tribunal for the Former Yugoslavia for the crimes he committed in 1992. After serving two thirds of his sentence in 2006 and settling in Finland, Landžo and the Danish filmmaker, Lars Feldballe Petersen, embarked on the project of making a documentary movie about Landžo’s traumatic memories, remorse, and regret. Landžo had a strong urge to extend his apology to each victim individually and in 2015 went to Čelebići to meet his former detainees. This article will build on a scarce conversation in scholarly, and legal discourse, as to why psychological trauma is considered to be an experience that belongs to victims. It will analyze difficult and untold perpetrators’ experiences of criminal acts and explore whether in these experiences there is potential for inner and group understanding. This article draws on the author’s interviews with Landžo, the main protagonist in the movie The Unforgiven: A War’s Criminal Remorse, a film that documents the extraordinary story of Landžo: from his denial to redemption. | ||
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