Belomor: criminality and creativity in Stalin's Gulag

Introduction: Born again: a new model of Soviet selfhood -- The factory of life -- The art of crime -- The symphony of labor -- The performance of identity -- The mapping of utopia.

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Detalles Bibliográficos
Autor principal: Draskoczy, Julie S. (Autor)
Tipo de documento: Electrónico Libro
Lenguaje:Inglés
Publicado: Brighton, MA Academic Studies Press [2014]
En:Año: 2014
Acceso en línea: Volltext (kostenfrei registrierungspflichtig)
Verificar disponibilidad: HBZ Gateway
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Parallel Edition:Erscheint auch als: Draskoczy, Julie S: Belomor. - 1618112880

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490 0 |a Myths and taboos in Russian culture 
500 |a Includes bibliographical references (pages 233-245) and index 
520 |a Introduction: Born again: a new model of Soviet selfhood -- The factory of life -- The art of crime -- The symphony of labor -- The performance of identity -- The mapping of utopia. 
520 |a "Containing analyses of everything from prisoner poetry to album covers, Belomor: Criminality and Creativity in Stalin's Gulag moves beyond the simplistic good/evil paradigm that often accompanies Gulag scholarship. While acknowledging the normative power of Stalinism--an ethos so hegemonic it wanted to harness the very mechanisms of inspiration--the volume also recognizes the various loopholes offered by artistic expression. Perhaps the most infamous project of Stalin's first Five-Year Plan, the Belomor construction was riddled by paradox, above all the fact that it created a major waterway that was too shallow for large crafts. Even more significant, and sinister, is that the project won the backing of famous creative luminaries who enthusiastically professed the doctrine of self-fashioning. Belomor complicates our understanding of the Gulag by looking at both prisoner motivation and official response from multiple angles, thereby offering a more expansive vision of the labor camp and its connection to Stalinism"--Back cover 
520 |a This book analyzed everything from Gulag prisoners' poetry to album covers under Stalin's power, and the various loopholes offered by artistic expression. The author examined both prisoner motivation and official response from multiple angles, and offered a more expansive vision of the labor camp and its connection to Stalinism 
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650 0 |a Labor camps  |z Soviet Union 
650 0 |a Prisoners' writings, Soviet  |x History and criticism 
650 0 |a Prisoners as artists  |z Soviet Union 
650 0 |a Prisoners  |z Soviet Union  |x Intellectual life 
650 4 |a POLITICAL SCIENCE ; Public Policy ; Social Services & Welfare 
650 4 |a SOCIAL SCIENCE ; Human Services 
650 4 |a HISTORY ; Europe ; Russia & the Former Soviet Union 
650 4 |a HISTORY ; Russia & the Former Soviet Union 
650 4 |a Labor camps 
650 4 |a Prisoners as artists 
650 4 |a Prisoners ; Intellectual life 
650 4 |a Prisoners' writings, Soviet 
650 4 |a Criticism, interpretation, etc 
651 4 |a Soviet Union 
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