Peerformance: Bystanders Enacting and Challenging Gender Norms in Community-Based Theater to Prevent Domestic Violence
This study examined the gender beliefs and norms expressed by South Asian community members when intervening as bystanders in Peerformance, a publicly performed scene depicting a husband’s controlling behavior toward his wife enacted by a peer-led theater group. Using a grounded theory approach, ind...
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Beteiligte: | ; |
Medienart: | Elektronisch Aufsatz |
Sprache: | Englisch |
Veröffentlicht: |
2022
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In: |
Violence against women
Jahr: 2022, Band: 28, Heft: 3/4, Seiten: 922-945 |
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Volltext (lizenzpflichtig) |
Journals Online & Print: | |
Verfügbarkeit prüfen: | HBZ Gateway |
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MARC
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520 | |a This study examined the gender beliefs and norms expressed by South Asian community members when intervening as bystanders in Peerformance, a publicly performed scene depicting a husband’s controlling behavior toward his wife enacted by a peer-led theater group. Using a grounded theory approach, inductive coding and reiterative visual analysis of videotaped bystander interactions revealed that, while most community members confronted the husband, beliefs about gender roles and relations impacted how these confrontations occurred. The complexity of gender norms in bystanders’ interventions calls for sociocultural tailoring; bystander programs must attend to the rich, within-group variations in community members’ attitudes and beliefs. | ||
650 | 4 | |a Applied theater/theatre | |
650 | 4 | |a Intimate partner violence prevention | |
650 | 4 | |a Theater of the Oppressed | |
650 | 4 | |a South Asian immigrants | |
650 | 4 | |a Socioculturally relevant bystander program | |
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