Deviant design: the ad hoc, the illicit, the controversial
Expanding design -- 'Social design' is not social enough -- Valuing the deviant and the illicit -- Misuing things -- Illicit design -- Counterfeit design -- The ethics of change?
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Published: |
London New York
Bloomsbury Visual Arts
2022
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| In: | Year: 2022 |
| Online Access: |
Table of Contents Blurb |
| Availability in Tübingen: | Present in Tübingen. UB: KB 21 A 2878 |
| Check availability: | HBZ Gateway |
| Subito Delivery Service: | Order now. |
| Keywords: | |
| Related Items: | Erscheint auch als:
1801651698 Erscheint auch als: 1811689930 |
MARC
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| 245 | 1 | 0 | |a Deviant design |b the ad hoc, the illicit, the controversial |c Craig Martin |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Expanding design -- 'Social design' is not social enough -- Valuing the deviant and the illicit -- Misuing things -- Illicit design -- Counterfeit design -- The ethics of change? | ||
| 520 | |a "Craig Martin addresses the transgressive or deviant aspects of design: design that straddles the divide between the licit and illicit, the legal and illegal in a variety of ways. Martin argues that design is not necessarily for the social good; it is immersed in the social realm in all its contradictions and confusions. Through a series of case studies he explores a wide range of social practices that employ illicit forms of design thinking, including early computer hacking and present-day hacker culture in which everyday objects are repurposed and deliberately mis-used; reproduction, counterfeit, and pirated versions of classic and luxury designs, and the use of craft practices by smugglers to conceal drugs within consumer goods and luggage. Deviant Design contends that these amateur and illicit practices challenge the normative idea of the professional designer or maker - rather than being reliant on the services of institutionalised design professionals, the adhocist consumer-or 'prosumer'-displays particular forms of innovative design knowledge in how artefacts have an inherent potential to be misused or repurposed"-- | ||
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