Legal spectatorship: slavery and the visual culture of domestic violence

Authenticating domestic violence : image and feeling in abolitionist media -- Battered women in a cybernetic milieu -- Authenticating testimony in the domestic violence courtroom -- Incorporating camp in criminal justice.

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Bibliographic Details
Main Author: Moore, Kelli 1976- (Author)
Format: Print Book
Language:English
Published: Durham London Duke University Press 2022
In:Year: 2022
Online Access: Table of Contents
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Availability in Tübingen:Present in Tübingen.
UB: KB 21 A 2165
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Keywords:
Family Violence > Law and legislation > United States
Victims of family violence > Legal status, laws, etc > United States
Slavery > Social aspects > United States
African Americans > Social conditions > 19th century
Discrimination in justice administration > United States > History > 19th century
Photography > Social aspects > United States
Legal photography > United States
SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
Social Science / Media Studies
USA > Häusliche Gewalt > Unterdrückung > Sklaverei > Rassismus > Intersektionalität > Gerichtssaal > Visuelle Medien > Fotografie > Beweis
Related Items:Erscheint auch als: 180215809X

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520 |a "Legal Spectatorship examines the visual culture surrounding domestic violence, or DV, focusing on the ways that photographs are marshaled as a form of spectacular evidence rooted in slavery and antiblackness. Historically, slaves were not able to testify in person in court although they were often silent witnesses to white domestic conflicts. Today, these histories of racism are embedded into domestic violence prosecution as photographs documenting evidence of DV stand in for women's testimony, and an extensive web of surveillance and administrative tactics criminalize female victims. Kelli Moore reads the legislative, juridical, and media structures that have developed around domestic violence as an extension of the logics of slavery that points to a broader form of US "domestic violence" in the form of slavery and racism. The chapters take up slave witnessing and black subjectivity; the psychological theories that developed around DV in the context of the Civil Rights movement; "artivism" around domestic violence imagery and anti-DV campaigns; and Moore's own ethnographic work in the courtroom observing domestic violence cases"-- 
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