Is the Last Laugh on Liszt?
To a German audience, Franz von Liszt (1851–1919) requires no introduction. His achievements and influence as a criminal law scholar are well known. However, his influence in Norway and on Norwegian criminal law may require some more elaboration. In Norway, Liszt’s influence is particularly related...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | German |
| Published: |
2020
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| In: |
Zeitschrift für die gesamte Strafrechtswissenschaft
Year: 2020, Volume: 132, Issue: 1, Pages: 223-249 |
| Online Access: |
Volltext (kostenfrei) |
| Journals Online & Print: | Drawer...
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| Check availability: | HBZ Gateway |
| Keywords: |
MARC
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| 520 | |a To a German audience, Franz von Liszt (1851–1919) requires no introduction. His achievements and influence as a criminal law scholar are well known. However, his influence in Norway and on Norwegian criminal law may require some more elaboration. In Norway, Liszt’s influence is particularly related to the penal code of 1902.[1] The passing of this code was a foundational moment for modern Norwegian criminal law. To understand why, we should start with some historical exercises. | ||
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