Bowling for Columbine: Critically Interrogating the Industry of Fear

Part of a special section on the intersection of ideologies of violence. Michael Moore's movie, Bowling for Columbine, analyzes the corporate, media, and government involvement in generating an atmosphere of pervasive paranoia and aggravating threats, and their simultaneous glorifying, validati...

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Bibliographische Detailangaben
1. VerfasserIn: Ordoñez-Jasis, Rosario (VerfasserIn)
Beteiligte: Jasis, Pablo
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Veröffentlicht: 2003
In: Social justice
Jahr: 2003, Band: 30, Heft: 3, Seiten: 127-133
Online-Zugang: Volltext (Verlag)
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Zusammenfassung:Part of a special section on the intersection of ideologies of violence. Michael Moore's movie, Bowling for Columbine, analyzes the corporate, media, and government involvement in generating an atmosphere of pervasive paranoia and aggravating threats, and their simultaneous glorifying, validating, or playing down of violence in the U.S. and abroad. The movie offers an understanding of Moore's uncompromising perspective of some of the most critical issues in society, which can aid the articulation of an oppositional, hopeful pedagogy of peace and creatively unite moral outrage with an invitation to fear less.
ISSN:2327-641X