Theater in the Bush: Art, Politics, and Community in the Bahamas
Part of a special issue on the relationship between art, identity, and social justice. The writer traces the history of the Track Road Theater Company, which he established in the Bahamas in 1996. He discusses the expectations, successes, and failures of the company's first decade in operation;...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Published: |
2007
|
In: |
Social justice
Year: 2007, Volume: 34, Issue: 1, Pages: 80-96 |
Online Access: |
Volltext (Verlag) |
Check availability: | HBZ Gateway |
Keywords: |
MARC
LEADER | 00000naa a22000002 4500 | ||
---|---|---|---|
001 | 1747157325 | ||
003 | DE-627 | ||
005 | 20210203061547.0 | ||
007 | cr uuu---uuuuu | ||
008 | 210203s2007 xx |||||o 00| ||eng c | ||
035 | |a (DE-627)1747157325 | ||
035 | |a (DE-599)KXP1747157325 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 2,1 |2 ssgn | ||
100 | 1 | |a Strachan, Ian Gregory |d 1969- |e VerfasserIn |0 (DE-588)173713084 |0 (DE-627)698619439 |0 (DE-576)134554426 |4 aut | |
109 | |a Strachan, Ian Gregory 1969- |a Strachan, Ian G. 1969- | ||
245 | 1 | 0 | |a Theater in the Bush: Art, Politics, and Community in the Bahamas |
264 | 1 | |c 2007 | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a Part of a special issue on the relationship between art, identity, and social justice. The writer traces the history of the Track Road Theater Company, which he established in the Bahamas in 1996. He discusses the expectations, successes, and failures of the company's first decade in operation; maps his own development as a playwright and artist; and provides a critical look at the cultural development and the politics of identity in the Bahamas since it became independent from Great Britain in 1973. He observes that operating an amateur theater company with anti-establishment leanings in the small island society of the Bahamas has been an education in censorship, class dynamics, systematic neglect, general indifference, and pragmatism. He notes, however, the success of a 2006 production that achieved true popularity; it was completely uncontroversial. | ||
650 | 4 | |a Arts | |
650 | 4 | |a Associations, institutions, etc | |
650 | 4 | |a Theaters | |
650 | 4 | |a Arts facilities | |
650 | 4 | |a Performing arts | |
650 | 4 | |a Socialism & theater | |
650 | 4 | |a Theater & society | |
650 | 4 | |a Societies | |
650 | 4 | |a Theatrical companies | |
650 | 4 | |a Poets | |
650 | 4 | |a Novelists | |
650 | 4 | |a Filmmakers | |
650 | 4 | |a Dramatists | |
650 | 4 | |a Authors | |
650 | 4 | |a Political theater | |
650 | 4 | |a Theater | |
650 | 4 | |a Political Science | |
650 | 4 | |a Political plays | |
773 | 0 | 8 | |i Enthalten in |t Social justice |d San Francisco, Calif. : Social Justice, 1988 |g 34(2007), 1, Seite 80-96 |h Online-Ressource |w (DE-627)548638446 |w (DE-600)2394654-4 |w (DE-576)309208025 |7 nnns |
773 | 1 | 8 | |g volume:34 |g year:2007 |g number:1 |g pages:80-96 |
856 | 4 | 0 | |u http://www.redi-bw.de/db/ebsco.php/search.ebscohost.com/login.aspx%3fdirect%3dtrue%26db%3deue%26AN%3d507947844%26site%3dehost-live |x Verlag |3 Volltext |
935 | |a mkri | ||
951 | |a AR | ||
ELC | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 384821511X | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1747157325 | ||
LOK | |0 005 20210203061547 | ||
LOK | |0 008 210203||||||||||||||||ger||||||| | ||
LOK | |0 035 |a (DE-2619)KrimDok#2021-02-02#467067189EB5C42BBC3A6FDEA0843E3935F3EB29 | ||
LOK | |0 040 |a DE-2619 |c DE-627 |d DE-2619 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-2619 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a zota | ||
ORI | |a SA-MARC-krimdoka001.raw |