The persistence of violence: Colombian popular culture
Introduction: The Persistence of Violence -- 1. The Absence and Presence of State Militarism : Violence, Football, Narcos / with Alfredo Sabbagh Fajardo -- 2. Industry Policy and Sex Tourism Meet the Case of the Destroyed Plaque / with Olga Lucia Sorzano and Anamaria Tamayo-Duque -- 3. "I Mysel...
Autor principal: | |
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Tipo de documento: | Print Libro |
Lenguaje: | Inglés |
Publicado: |
New Brunswick Camden, New Jersey Newark, New Jersey London
Rutgers University Press
[2020]
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En: | Año: 2020 |
Acceso en línea: |
Índice Texto de la solapa |
Disponibilidad en Tübingen: | Disponible en Tübingen. UB: KB 21 A 1566 |
Verificar disponibilidad: | HBZ Gateway |
Servicio de pedido Subito: | Pedir ahora. |
Palabras clave: |
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245 | 1 | 4 | |a The persistence of violence |b Colombian popular culture |c Toby Miller |
264 | 1 | |a New Brunswick |a Camden, New Jersey |a Newark, New Jersey |a London |b Rutgers University Press |c [2020] | |
300 | |a v, 222 Seiten |b Illustrationen | ||
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500 | |a Includes bibliographical references (pages 159-216) and index | ||
520 | |a Introduction: The Persistence of Violence -- 1. The Absence and Presence of State Militarism : Violence, Football, Narcos / with Alfredo Sabbagh Fajardo -- 2. Industry Policy and Sex Tourism Meet the Case of the Destroyed Plaque / with Olga Lucia Sorzano and Anamaria Tamayo-Duque -- 3. "I Myself Had to Remain Silent When They Threatened My Children" : Colombian Journalists Meet Prime-Time Narcos / with Marta Milena Barrios and Jesús Arroyave -- 4. Green Passion Afloat: The Magdalena River / with Marta Milena Barrios -- Conclusion -- Acknowledgments -- Notes -- References -- Index -- About the Authors. | ||
520 | |a "Colombia's headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred--products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one--the ideal and the real--summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, 'Hecha la ley, hecha la trampa' (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence--and resistance to it--characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment"--Page 4 of cover | ||
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