Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy
Frontmatter -- Contents -- Preface -- Introduction -- 1. From the Drug Economy to the Attention Economy -- 2. Algorithms, Analytics, and AK-47s -- 3. Keepin’ It Real -- 4. Cashing In on Clout -- 5. When Keepin’ It Real Goes Wrong -- 6. Digital Slumming -- 7. Hometown Heroes or Local Menace? -- Concl...
| 1. VerfasserIn: | |
|---|---|
| Medienart: | Elektronisch Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2020]
|
| In: | Jahr: 2020 |
| Online-Zugang: |
Cover (Verlag) Cover (Verlag) Volltext (doi) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Subito Bestelldienst: | Jetzt bestellen. |
| Schlagwörter: | |
| Parallele Ausgabe: | Nicht-Elektronisch
|
MARC
| LEADER | 00000cam a22000002c 4500 | ||
|---|---|---|---|
| 001 | 1698569556 | ||
| 003 | DE-627 | ||
| 005 | 20251015130255.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 200519s2020 xxu|||||o 00| ||eng c | ||
| 020 | |a 9780691200088 |9 978-0-691-20008-8 | ||
| 024 | 7 | |a 10.1515/9780691200088 |2 doi | |
| 035 | |a (DE-627)1698569556 | ||
| 035 | |a (DE-599)KEP052496279 | ||
| 035 | |a (DE-627-1)052496279 | ||
| 035 | |a (DE-B1597)544915 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 044 | |c XD-US | ||
| 050 | 0 | |a HV6439.U7 | |
| 072 | 7 | |a SOC026030 |2 bisacsh | |
| 072 | 7 | |a SOC 001000 |2 bisacsh | |
| 072 | 7 | |a SOC 026030 |2 bisacsh | |
| 072 | 7 | |a SOC 031000 |2 bisacsh | |
| 072 | 7 | |a SOC 050000 |2 bisacsh | |
| 072 | 7 | |a SOC 051000 |2 bisacsh | |
| 072 | 7 | |a SOC 052000 |2 bisacsh | |
| 082 | 0 | |a 364.106/60977311 | |
| 084 | |a 2,1 |2 ssgn | ||
| 100 | 1 | |8 1\p |a Stuart, Forrest |e VerfasserIn |0 (DE-588)1129814289 |0 (DE-627)884412067 |0 (DE-576)481346074 |4 aut | |
| 109 | |a Stuart, Forrest | ||
| 245 | 1 | 0 | |a Ballad of the Bullet |b Gangs, Drill Music, and the Power of Online Infamy |c Forrest Stuart |
| 264 | 1 | |a Princeton, NJ |b Princeton University Press |c [2020] | |
| 300 | |a 1 Online-Ressource (288 p) |b 2 b/w illus | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 506 | |a restricted access |u http://purl.org/coar/access_right/c_16ec | ||
| 520 | |a Frontmatter -- Contents -- Preface -- Introduction -- 1. From the Drug Economy to the Attention Economy -- 2. Algorithms, Analytics, and AK-47s -- 3. Keepin’ It Real -- 4. Cashing In on Clout -- 5. When Keepin’ It Real Goes Wrong -- 6. Digital Slumming -- 7. Hometown Heroes or Local Menace? -- Conclusion -- Author’s Note -- Acknowledgments -- Notes -- References -- Index | ||
| 520 | |a How poor urban youth in Chicago use social media to profit from portrayals of gang violence, and the questions this raises about poverty, opportunities, and public voyeurismAmid increasing hardship and limited employment options, poor urban youth are developing creative online strategies to make ends meet. Using such social media platforms as YouTube, Twitter, and Instagram, they’re capitalizing on the public’s fascination with the ghetto and gang violence. But with what consequences? Ballad of the Bullet follows the Corner Boys, a group of thirty or so young men on Chicago’s South Side who have hitched their dreams of success to the creation of “drill music” (slang for “shooting music”). Drillers disseminate this competitive genre of hyperviolent, hyperlocal, DIY-style gangsta rap digitally, hoping to amass millions of clicks, views, and followers—and a ticket out of poverty. But in this perverse system of benefits, where online popularity can convert into offline rewards, the risks can be too great.Drawing on extensive fieldwork and countless interviews compiled from daily, close interactions with the Corner Boys, as well as time spent with their families, friends, music producers, and followers, Forrest Stuart looks at the lives and motivations of these young men. Stuart examines why drillers choose to embrace rather than distance themselves from negative stereotypes, using the web to assert their supposed superior criminality over rival gangs. While these virtual displays of ghetto authenticity—the saturation of social media with images of guns, drugs, and urban warfare—can lead to online notoriety and actual resources, including cash, housing, guns, sex, and, for a select few, upward mobility, drillers frequently end up behind bars, seriously injured, or dead.Raising questions about online celebrity, public voyeurism, and the commodification of the ghetto, Ballad of the Bullet offers a singular look at what happens when the digital economy and urban poverty collide | ||
| 533 | |a [Online-Ausgabe] | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English | ||
| 583 | 1 | |a Archivierung/Langzeitarchivierung gewährleistet |f SSG |x XA-DE-BW |2 pdager |5 DE-21 | |
| 650 | 0 | |a Violence |z Illinois |z Chicago | |
| 650 | 0 | |a Technology and youth |v Social aspects | |
| 650 | 0 | |a Gangs |z Illinois |z Chicago | |
| 650 | 0 | |a Social Media |z Illinois |z Chicago | |
| 650 | 0 | |a Urban poor |z Illinois |z Chicago | |
| 650 | 0 | |a Gangs-Illinois-Chicago | |
| 650 | 4 | |a Social Science / Sociology / Urban | |
| 650 | 4 | |a SOCIAL SCIENCE / Discrimination & Race Relations | |
| 650 | 4 | |a SOCIAL SCIENCE / Social Classes & Economic Disparity | |
| 650 | 4 | |a Social Science / Violence In Society | |
| 650 | 4 | |a Social Science / Media Studies | |
| 650 | 4 | |a Youtube | |
| 650 | 4 | |a Music video | |
| 650 | 4 | |a Driller (oil) | |
| 650 | 4 | |a Twitter | |
| 650 | 4 | |a Gang | |
| 650 | 4 | |a Instagram | |
| 650 | 4 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies | |
| 650 | 4 | |a Popularity | |
| 650 | 4 | |a Chief Keef | |
| 650 | 4 | |a Sociology | |
| 650 | 4 | |a Blog | |
| 650 | 4 | |a Disadvantage | |
| 650 | 4 | |a Self-brand | |
| 650 | 4 | |a Poverty | |
| 650 | 4 | |a New Media | |
| 650 | 4 | |a Reputation | |
| 650 | 4 | |a Robbery | |
| 650 | 4 | |a Crime | |
| 650 | 4 | |a Facebook | |
| 650 | 4 | |a Technology | |
| 650 | 4 | |a Rapper (electrostatic precipitation) | |
| 650 | 4 | |a Firearm | |
| 650 | 4 | |a Shit | |
| 650 | 4 | |a Drive-by shooting | |
| 650 | 4 | |a Career | |
| 650 | 4 | |a Social Media | |
| 650 | 4 | |a Law Enforcement | |
| 650 | 4 | |a Security Guard | |
| 650 | 4 | |a Employment | |
| 650 | 4 | |a Competition | |
| 653 | |a Jeffrey Lane | ||
| 653 | |a Pierre Bourdieu | ||
| 653 | |a SSYVPP | ||
| 653 | |a South Side Youth Violence Prevention Project | ||
| 653 | |a Taylor Park | ||
| 653 | |a The Digital Street | ||
| 653 | |a The Wire | ||
| 653 | |a black super-predator | ||
| 653 | |a digital slumming | ||
| 653 | |a drill rap | ||
| 653 | |a drug economy | ||
| 653 | |a gang conflicts | ||
| 653 | |a gang rivalries | ||
| 653 | |a gang warfare | ||
| 653 | |a ghetto violence | ||
| 653 | |a micro-celebrity | ||
| 653 | |a music videos | ||
| 653 | |a representation of urban gang violence | ||
| 653 | |a self-made entrepreneur | ||
| 653 | |a social media celebrity | ||
| 653 | |a social media fame | ||
| 653 | |a social media policing | ||
| 653 | |a street life | ||
| 653 | |a street violence | ||
| 653 | |a urban communities | ||
| 653 | |a urban ethnography | ||
| 653 | |a urban sociology | ||
| 653 | |a urban studies | ||
| 653 | |a urban violence | ||
| 653 | |a attention economy | ||
| 689 | 0 | 0 | |d g |0 (DE-588)4009921-0 |0 (DE-627)106360329 |0 (DE-576)208885285 |a Chicago, Ill. |2 gnd |
| 689 | 0 | 1 | |d s |0 (DE-588)4055304-8 |0 (DE-627)104180897 |0 (DE-576)20911312X |a Slum |2 gnd |
| 689 | 0 | 2 | |d s |0 (DE-588)4132577-1 |0 (DE-627)105686662 |0 (DE-576)209636734 |a Bande |2 gnd |
| 689 | 0 | 3 | |d s |0 (DE-588)4114114-3 |0 (DE-627)104151838 |0 (DE-576)209482001 |a Jugendkultur |2 gnd |
| 689 | 0 | 4 | |d s |0 (DE-588)4820245-9 |0 (DE-627)482249110 |0 (DE-576)216716837 |a Gangsta-Rap |2 gnd |
| 689 | 0 | 5 | |d s |0 (DE-588)4639271-3 |0 (DE-627)330421344 |0 (DE-576)214542661 |a Social Media |2 gnd |
| 689 | 0 | |5 (DE-627) | |
| 776 | 1 | |z 9780691206493 |c : print | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |a Stuart, Forrest |t Ballad of the bullet |d Princeton : Princeton University Press, 2020 |h xi, 273 Seiten |w (DE-627)1681737086 |z 9780691194431 |k Non-Electronic |
| 787 | 0 | 8 | |i Rezensiert in |a Urbanik, Marta-Marika |t [Rezension von: Stuart, Forrest, Ballad of the bullet] |d 2022 |w (DE-627)1796953083 |
| 787 | 0 | 8 | |i Rezensiert in |a Contreras, Randol, 1971 - |t [Rezension von: Stuart, Forrest, Ballad of the bullet] |d 2023 |w (DE-627)1826752900 |
| 787 | 0 | 8 | |i Rezensiert in |a Fatsis, Lambros |t [Rezension von: Stuart, Forrest, Ballad of the bullet] |d 2021 |w (DE-627)1856534065 |
| 856 | 4 | 0 | |u https://www.degruyterbrill.com/isbn/9780691200088 |m X:GRUY |x Verlag |z lizenzpflichtig |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780691200088?locatt=mode:legacy |m X:GRUY |x Resolving-System |z lizenzpflichtig |
| 856 | 4 | 2 | |u https://www.degruyterbrill.com/cover/covers/9780691200088.jpg |m X:GRUY |x Verlag |3 Cover |
| 856 | 4 | 2 | |u https://www.degruyterbrill.com/document/cover/isbn/9780691200088/original |m X:GRUY |x Verlag |3 Cover |
| 856 | |u https://doi.org/10.1515/9780691200088 |x doi |3 Volltext | ||
| 883 | |8 1\p |a cgwrk |d 20241001 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | ||
| 912 | |a EBA-CL-SN | ||
| 912 | |a EBA-EBKALL | ||
| 912 | |a EBA-ECL-SN | ||
| 912 | |a EBA-EEBKALL | ||
| 912 | |a EBA-ESSHALL | ||
| 912 | |a EBA-PPALL | ||
| 912 | |a EBA-SSHALL | ||
| 912 | |a GBV-deGruyter-alles | ||
| 912 | |a ZDB-23-DGG |b 2020 | ||
| 912 | |a ZDB-23-SEW |b 2020 | ||
| 912 | |a EBA-BACKALL | ||
| 912 | |a EBA-EBACKALL | ||
| 912 | |a ZDB-23-9 | ||
| 951 | |a BO | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 393716510X | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1698569556 | ||
| LOK | |0 005 20210611192738 | ||
| LOK | |0 008 210611||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-21 |c DE-627 |d DE-21 | ||
| LOK | |0 092 |o k |p p |p | ||
| LOK | |0 689 |a s |a eBook-DeGruyter-EBS-2021-2022 | ||
| LOK | |0 852 |a DE-21 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 85640 |u https://www.degruyter.com/isbn/9780691200088 |z Zugang für die Universität Tübingen | ||
| LOK | |0 912 |a EBA-EBKALL | ||
| LOK | |0 935 |a ebok |a lbok | ||
| ORI | |a WA-MARC-krimdok_oa001.raw | ||
