The occupation of the senses: the prosthetic and aesthetic of state terror
Colonial and settler colonial dispossession is performed through various forms of violence, justified by cultural, historical, religious and national imperatives. In this paper, I define one of these forms of violence as the occupation of the senses, referring to the sensory technologies that manage...
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| Format: | Electronic Article |
| Language: | English |
| Published: |
2017
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| In: |
The British journal of criminology
Year: 2017, Volume: 57, Issue: 6, Pages: 1279 –1300 |
| Online Access: |
Presumably Free Access Volltext (Resolving-System) |
| Journals Online & Print: | Drawer...
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| Check availability: | HBZ Gateway |
| Keywords: |
MARC
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| 520 | |a Colonial and settler colonial dispossession is performed through various forms of violence, justified by cultural, historical, religious and national imperatives. In this paper, I define one of these forms of violence as the occupation of the senses, referring to the sensory technologies that manage bodies, language, sight, time and space in the colony. This paper analyses the parades, marches and festivals performed in the Palestinian city space of occupied East Jerusalem; shares the slogans, chants and graffiti used by Israeli civil, religious and nationalist entities; and explores what is lived, seen, heard, felt and smelled by the colonized to uncover the political violence implicated in the occupation of the senses. | ||
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